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LRJE HISTORY |
How
did the Ensemble come into being? It happened when clarinetist Fred Starr
proposed to drummer John Joyce and banjoist John Chaffe, that they assemble New
Orleans' best musicians to perform classic jazz as it was originally played.
Starr, who has written several books on the music and culture of New Orleans,
set about mining the archives and interviewing surviving New Orleans veterans
about the early styles and repertoire. Joyce, who taught the world's first
course on the history of jazz at Tulane, and Chaffe, the student of two
legendary players, Laurence Marrero and Edmond Souchon, immediately turned to
trombonist Fred Lonso, a noted brass band player, and the late Sherwood
Manigiapane, one of the city's greatest bassists.
Veterans of years on Bourbon Street, Mississippi steamboats, and in local brass bands, the LRJE players are drawn from all the racial and ethnic groups that make up the New Orleans "melting pot." Jazz critic Al Rose calls the LRJE "the most authentic band on the scene today . . . I haven't heard that sound for 40 years."
The group's repertoire features compositions by "Jelly Roll" Morton, Armand Piron, "King" Oliver and Nick Larocca. Whether recovered from archival manuscripts or rare printed scores, reconstructed from early recordings, or simply passed down from older players, the arrangements of the LRJE exude the lost textures of an earlier age.
The Louisiana Repertory Jazz Ensemble has performed at the Grammy Awards, the prestigious Doubleday Lectures at the Smithsonian, numerous jazz festivals in Connecticut, New Orleans, Chicago, Atlanta as well as in France, Hong Kong, Poland, Czechoslovakia, and Russia. The group has issued six recordings.